Scuba Diver's Surprise in the Black Lagoon [TrUzApalOOza cardstock wraparound variant cover C + cover D]

Continuing the Creature from Black Lagoon series, here are Cover C and Cover D (wraparound) Retailer Incentive versions...

[Workflow: I sourced a chunk of images from the internet and then combined them into the final picture. I didn't have to use Tengri/NightCafe to create my usual stock items for this composition. Lots of masking work, curve adjustments (green up the water), displacements (reflection of monster), distorts (for eyebrows), mesh wrapping, brush layers to add more bubbles/water effects, etc.]

Image list:

1. cover D [full upper body of diver] wraparound exclusive Pulp Fiction Comics cover
2. cover C [close-up facemask only] cover
3. raw of the painting (reduced resolution), without final book layouts/logos
4. a glance at my Affinity Photo layering panels with Fx filters
5. and a bunch of the source images

cover D (full image wraparound)

cover C (focused on diver's mask)

the final raw image before cropping the view for covers C + D

my water, overlayed to recolor

my layers panel

my original diver before edits

regulator logo

face mask reference

most of bubbles, others added with brushes

Scuba Diving the Black Lagoon [TrUzApalOOza cardstock wraparound variant cover B-RI]

Continuing the Creature from Black Lagoon series, here I present the Cover B-Retailer Incentive version...

[Workflow: Another large series of image prompts (75+) fed, and re-fed back through NightCafe, Tengr, and Co-Pilot via hand edits to give me various pieces to start with. Pulled them all together and made the composition within Affinity Photo. My first painting layout did not match the wraparound aspect ratio {13.25" x 10.25" | 3310px x 2560}, so I condensed the frightened scuba diver closer to the monster and another minor shuffling of objects for a version 2 look.]

Image list:

1. final TrUzApalOOza cardstock variant wraparound exclusive Pulp Fiction Comics cover
2. raw version 2 of the painting (reduced resolution), without final book layouts/logos
3. raw version 1 of the painting (reduced resolution), the art size did not fit my comic book format
4. and a glance at my Affinity Photo layering panels with Fx filters
5. my source fish

TrUzApalOOza cardstock wraparound variant cover B-RI

raw virgin cover art for Cover B-RI

version 1 art that I had to redo to make it fit comic book layout

my big fish

Beyond the Black Lagoon [TrUzApalOOza cardstock wraparound variant cover]

[my rough proposal for an annual comic book from Image Comics/Skybound]

Two decades after the original film, set in the backdrop of 1974, backwoods anthropologist Bill McGee, with a spirit reminiscent of the counterculture movement of the era, embarks on his psychedelic and marijuana-fueled expedition through the Amazon rainforest. Drawing inspiration from the environmental consciousness of the 1970s, Bill's journey is a quest for discovery and a reflection of the growing awareness of ecological issues.

As Bill encounters the enigmatic "Creature from the Black Lagoon," the cultural landscape echoes reverberate through their interactions. Themes of environmental conservation, interspecies communication, Indigenous rights movements, land conflicts, and the search for harmony with nature resonate strongly in their evolving friendship. The turbulent socio-political climate of the era, marked by military dictatorships and infrastructure development, adds a layer of complexity to their bond, mirroring the era's struggles for understanding and acceptance.

Through their shared experiences and encounters with the mysteries of the rainforest, Bill and the creature navigate the complexities of their relationship, drawing parallels to the era's exploration of identity, Indigenous rights movements, and interconnectedness. As they confront numerous challenges, including conflicts over land ownership and resource extraction, they embody the spirit of resilience and empathy that defined the 1970s, forging a bond that transcends time, species, and societal norms. Join Bill McGee and the Creature from the Black Lagoon on a transformative odyssey of friendship, understanding, and the enduring quest for harmony in a world in flux.

I propose that the comic book annual for October 2024 be written by the returning Universal Monsters: Creature from the Black Lagoon Lives! creative team of writer Ram V, interior art by Matthew Roberts, and featuring exclusive painted covers by TrUz ApalOOza.

[Workflow: A large series of image prompts fed, and re-fed back through NightCafe, Tengr, and Co-Pilot via hand edits to give me various pieces to start with. I then composed and merged it within Affinity Photo. Lots of layers, overlays for shadows and lighting, texture layers for bubbles, plant life, and water ripples, with a large dash of masking, wrapping it up with final comic book banners, logos, and credits.]

Image list:

1. final TrUzApalOOza cardstock variant wraparound exclusive Pulp Fiction Comics cover
2. raw version of the painting (reduced resolution), without final book layouts/logos
3. front cover view
4. back cover view
5. The series logo which I worked within both Affinity Photo and Designer
6. background base water image
7. and a glance at my Affinity Photo layering panels with Fx filters