[another imagined John Constantine comic book cover for DC Comics which I started after seeing a painting by Behshad Arjomandi. This one-shot storyline proposed to be written by Paul Jenkins, with interior art by Giuseppe Camuncoli.]
In the heart of London, where shadows dance with secrets and the rain whispers of forgotten sins, there strides a man unlike any other. John Constantine, the enigmatic and troubled occult detective, returns to his homeland with a heavy heart and a burdened soul. As he strolls down the slick cobblestone streets, the iconic silhouette of Big Ben looms in the distance, its clock face a stark reminder of the relentless march of time. Dark clouds gather overhead, crackling with the promise of a storm brewing both in the skies and within Constantine himself.
Lightning flashes, illuminating the grimy alleyways and hidden corners of the city, casting eerie shadows that seem to reach out for him. But John Constantine is no stranger to the darkness; he is its master and its prisoner, a man caught between worlds, forever wandering the thin line between salvation and damnation. As he navigates the treacherous waters of London's supernatural underbelly, Constantine must confront his past, his demons, and the ghosts that haunt him. For in this city of ancient magic and modern malaise, the wandering son of England returns home, ready to face whatever horrors lie in wait. Join us on a journey through the twisted streets of London, where danger lurks in every shadow and salvation is but a fleeting dream. This is the saga of John Constantine, the man who walks with one foot in the light and one foot in the dark, a reluctant hero in a world that has long forgotten the meaning of the word.
[Workflow: A series of Tengr image prompts to get many elements in the same dark-colored painting format. Composed these pieces of John, the street, trees, and background buildings into base image, then applied recoloring effects, rain layers, lightning with clouds, water splashes, and then the final layers of comic book branding. All final edits, and source image clean-ups were done within Affinity Photo.]
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