I pulled the title/credit panel from Detective Comics #1074 published by DC Comics that was drawn by Dustin Nguyen; extended the art a bit, and finally placed it inside a nice flame-bordered panel.
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MUMBLINGS about whatever happens to trip-my-trigger this week. This might cover books, horror movies, new music I have discovered, photo edits, tweaking panel art from a graphic novel, technical tips for your PC/mobile devices, or any other random topic.
I pulled the title/credit panel from Detective Comics #1074 published by DC Comics that was drawn by Dustin Nguyen; extended the art a bit, and finally placed it inside a nice flame-bordered panel.
Hi-rez image link.
Here is "Series C" from the United States Postal Service H.P. Lovecraft stamp series. This series was created entirely within NightCafe Crystal Clear XL. I cleaned up all the ugly AI artifacts, added extra imagery where needed, and then combined them into an actual stamp book using Affinity Photo.
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Here is "Series B" from the United States Postal Service H.P. Lovecraft stamp series. I created about 500 different stamps based on my original prompt using NightCafe SDXL, Meta AI Imagine, and Bing Image Creator (DALL-E 3). I cleaned up all the ugly AI artifacts, added extra imagery where needed, and then combined them into an actual stamp book using Affinity Photo.
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Here is "Series 1" from the United States Postal Service's LOVECRAFT BABIES stamp series. This series was created entirely within NightCafe Mysterious XL v4. I cleaned up all the ugly AI artifacts, added extra imagery where needed, updated the body parts of several monster babies and then combined them into an actual stamp book using Affinity Photo.
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I created this proposed cover artwork for Tate McRae's latest music release "eXes" during one of my evening TV breaks. Tate is burning a Polaroid picture of her latest eXe.
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Using my artwork from the last creation, I have created the unreleased cover from what could have been issue #85 of Walt Disney's Donald Duck if published by Dell Comics. Naturally, I have created this as close to Carl Barks-style as I can, mimicked from many sample comic books.
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After tracing/vectorizing my last drawing off a Carl Barks 1950s comic book, I decided to try my hand at making a Batman version of Donald Duck. I used quite a few different Barks duck images to compare against for inspiration and artist reference.
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Catwoman (Selina Kyle) jumping over inner city rooftops. I like the way the silhouette works on the cloudy night sky backdrop, especially with the water tower.
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This one was interesting to create something different on my version of Travis Kelce catching a football. Took a few photo images, did some rough tracing with vectors to create the main body, and then started using Affinity Designer's knife tool to cut out the detail shape areas, and then recolored things trying to use limited colors. I only used a couple gradient fills trying to keep most of the coloring plain and simple solid colors. When you discard my two gradients I think this is less than 12 colors. This vector image can scale to just about any size and not distort so that is cool.
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Just some simple layer work, featuring Dua Lipa, while playing with Affinity Photo template-type design setup on my end. Created multiple editing layers so that I can inject new photographs onto the Polaroid layout for future experiments.
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I started with a Bing Image Creator (DALL-E 3) prompt "a picture of a red-headed woman 30 years old bouncing on a pogo stick" then brought that into Affinity and started working on some minor tweaks, edits, and tried to weed out some of the artificial look. I'm titling this "Liliatha, our youngest redheaded witch is levitating in her living room."
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Eduardo Barreto had a nice panel in DC Comics' Batman - Gotham by Gaslight, which I pulled out, isolated, and then did a few edits and added fresh dialogue "Why don't I help you slip into something more comfortable... like a coma."
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