I started with a Meta AI image prompt, and then hand-finished it for the final Cthulhu baby breathing smoke as seen in the underworld tar pits.
Hi-rez image link [2680px tall]
MUMBLINGS about whatever happens to trip-my-trigger this week. This might cover books, horror movies, new music I have discovered, photo edits, tweaking panel art from a graphic novel, technical tips for your PC/mobile devices, or any other random topic.
I started with a Meta AI image prompt, and then hand-finished it for the final Cthulhu baby breathing smoke as seen in the underworld tar pits.
Hi-rez image link [2680px tall]
I fed Travis Fox's image that I purchased last year featuring a They Live-themed alien into Bing Co-Pilot and had it spit out some AI-generated images. I brought them all into the Affinity Photo, cleaned up glitches, and made some minor fixes.
Hi-rez image [3341px wide]Hi-rez image [3335px wide]
Hi-rez image link [5100px tall]
Affinity Workflow: A few cycles of image prompts using NightCafe AI to end up with the basic octo-daemon creature. I then cleaned up AI artifacts, sharpened edges, merged several pixel overlays to recolor different regions, and brushed in additional objects.
Hi-rez image link [3943px tall]
Hi-rez image link [3298px tall]
Some more artwork to go with the previous Nrub'atocto - She Who Feeds storyline showing the entity still trapped below ground with the skeletal remnants of lesser daemons entombed around Nrub'atocto.
Hi-rez image link [4235px wide]
I pulled one panel from Batman #144 (© DC Comics 2024) drawn by Giuseppe Camuncoli and Stefano Nesi, then remixed them into my own version of The Joker making a terrible joke as he dumps sinister laughing gas into the local Starbucks while firing an AK-47 in the air to get everyone's attention.
Affinity Photo Workflow: Panel pulled, dialog balloon replaced with my own weak joke. Frame created with vignette overlay. Gas recolored to green to be more Joker-appropriate. A variety of masks are applied to alter the look (such as reflection). New deadly laughing gas was added to the canister in his hand. Mixed some skull-and-crossbones into the nasty green gas. Replaced the original Joker face with another grabbed from a different source so we could see his psychotic grin way better.
I pulled panel elements from a couple pages of the issue of Batman #142 (© DC Comics 2024) drawn by Giuseppe Camuncoli and Stefano Nesi, then remixed them into my own version of The Joker getting a beat down provided to him by some Gotham City thugs.
Affinity Photo Workflow: Thugs pulled out and adjusted to show movement. Machete and crowbar elements were added for more fun. Masked and mixed in Joker's HAHA into the background, radial-gradient added, then recolored everything green. Painted in grass.
I pulled one panel from Batman #144 (© DC Comics 2024) drawn by Giuseppe Camuncoli and Stefano Nesi, then remixed them into my own version of The Joker making a self-referencing joke to Batman: The Killing Joke as he walks into a bar.
Affinity Photo Workflow: Dialog balloon added with my own weak joke. Hand-created the frame. Some minor half-tone/masking filters to adjust color saturation a smidge.
Rediscovered an old post I did, and decided to pull my original camera images and try another attempt at creating the morning's drive through The Mist... join me, as we head to the grocery store to help barricade windows.
Affinity Photo Workflow: My own photos plus a couple monsters borrowed from NightCafe AI Image collection I found combined, mixed & masked, extra textures, and more mist added with a bit of HSL color tweaking.
Hi-rez image [4120px wide]
Hi-rez image [4128px tall]
Hi-rez image link [3854px wide]
Hi-rez image link [2709px tall]
Stonehenge is illuminated by a beam of energy from a dimensional portal. Several Meta ImagineAI image prompts to create stones + sky which I then merged within Affinity Photo, and then added multiple brushes to create the beam effects.
Hi-rez image link [2899px tall]
Sheriff Robert Torres had seen it all in his three decades of service Hudspeth County, a desert border town in southern Texas. But nothing prepared him for the sight of a huge and horrifying daemon emerging from a glowing pentagram portal shimmering in the dry switchgrass. The nearest local farmers had fled in terror, leaving Robert and his faithful horse Blister to face the monster alone. Despite being outmatched in every way, the sheriff stood his ground before the portal, cocked his rifle, and said to Blister, "If this is our Alamo, let's make history". As the daemon approached, cackling and casting spells, Robert aimed and thought, "You may claim this land by magic, but we Texans will defend our home and way of life". Whatever the battle's outcome, the sheriff was determined to show the courage and grit of the Texas lawman.
Affinity Photo Workflow: A few image prompts using Bing DALL-E to create the monster (head, tail, claws combined from multiple attempts). Grassy fields and clouds merged from multiple images. Cowboy, horse, and original flag from public image searches, fences clipped in from other pictures. Dust, particles, pentagram, additional cloudwork (IAMRENSI brushes), and sunburst beams are added by hand in Affinity Photo. Experimented with various brushes (clouds, particles, smoke) used as my masking tool to work out Fx (such as damage to the flag).
Hi-rez image link [3836px wide]
Hi-rez image link [2843px tall]
Some more artwork to go with the previous Nrub'atocto - She Who Feeds storyline showing the entity still trapped below ground.
Hi-rez image link [2804px tall]
Stonehenge located on a remote planet is illuminated by beams of energy as a local shaman executes a celestial summoning. Several Meta ImagineAI image prompts to create stones then merged into moon and astrophotography images. Brushwork layers to create a radiant burst behind the moon within Affinity Photo.
Hi-rez image link [2765px tall]
UFO caught on film actively spectral mapping the Arizona desert floor south of Tucson.
Affinity Photo Workflow: A few image prompts using Bing DALL-E, and Meta AI Imagine to get me part of the flying saucer. Sky image pulled from an astrophotography search, van with reflection borrowed from a car ad, cactus masked from other images. Laser beams. ring lights on saucer and spectral mapping grid (mesh warping funtime) were added by hand in Affinity Photo. A lot of masking to get the desert skyline and road added. Boxes and buildings dropped in for extra features.Hi-rez image link [3362px tall]
Hi-rez image link [2492px wide]